Jamaican sound system Code Red is eager to make its mark at Reggae Sumfest Global Sound Clash scheduled for July 17 at Catherine Hall Stadium in Montego Bay, St James.

With over 23 years’ experience in juggling and clashing, the six-member outfit—comprising ZJ Rush, Code Lank, ZJ Spectre, Sigar, Sisco and Chris Dymond—has earned has been recognised in dancehall its style of play and has been named a powerhouse in the sound clash arena.

Among the preferred choice of sound systems to play at stage shows with their vibrant and culturally rich performances, Code Red is gearing up for a night of intense competition and unparalleled entertainment at Reggae Sumfest Global Sound Clash.

Speaking on behalf of the Code Red team, Chris Dymond expressed excitement and gratitude for their selection.

“We have been selected to represent dancehall culture. I think another sound system was needed for the line-up (so) there was a vote and Magnum Tonic Wine selected us. We’re going to ensure we do our best to represent and represent well,” he said.

The Magnum Tonic Wine-sponsored sound clash is one that Reggae Sumfest organisers promise will be a highlight of the festival with top-tier sound systems from around the world. Defending champion Dynamq from South Sudan, Warrior Sound from Germany, and Notorious International from Japan will join Code Red and Bodyguard Sound, both representing Jamaica, in musical battle.

At last year’s staging, dancehall and sound clash culture enthusiasts saw Dynamq winning the 2023 Global Sound Clash title and bragging rights after conquering Code Red in the final round. The South Sudan sound also received an unexpected $1 million cash prize from Magnum Tonic Wine.

Bringing authenticity

Code Red is undaunted by that result, Chris Dymond shared, since the sound system has a few titles to its name. It is the 2022 World Clash Champion and the first sound from Jamaica in almost 20 years to win a mainstream clash in Germany after defeating Poland’s Splendid Sound.

Reflecting on the challenges faced in sound system culture, Chris Dymond expressed, “The youth in Jamaica are not getting the clash experience we would have [had] in late 90s to early 2000s because it has become more difficult to get the permits to carry on late; oftentimes clashes get locked off early before it reaches a high point. When we participate in those events overseas, we clash until 5 am, when the sun is coming up.”

“Most Caribbean countries and globally are using our music in the original style of clashing: dem a cut di dub the way we used it, with the real lyrics and content. We have to work 10 times harder than the foreign sounds to win a clash, especially when we can’t be our authentic selves [the way] people are used to and want to see. Now, we’re not encouraging people to use a lot of profanity, but let’s not water it down so much that it loses authenticity,” the selector further explained.

While navigating the commercialised aspects of the modern sound clash scene, Code Red, Chris Dymond says, remains committed to delivering high-energy performances that resonate with both local and international audiences.

“For the Global Sound Clash, we want everybody to come out and support the culture. It’s not a side-picking thing but for people to cheer on the sound system when dem represent fi di culture and to enjoy some Magnum, a brand which has represented the culture for the 25 years they have been around. Just come hol’ a vibes and have some fun,” Chris Dymond remarked.

The Global Sound Clash platform is a “fun musical battle” that tests the quality, energy and creativity of sound systems, and serves as an opportunity to expand their fanbase.

Despite preparations for the event being affected by the recent passing of Hurricane Beryl, Chris Dymond believes the sound is poised for yet another exciting, competitive showcase, optimistic to win the title.